Menunggu Masa Setelah Masa

(Waiting era after era)

Site-specific hand-drawn batik installation by Dias Prabu ARTSUBS 2025 “Material Ways”, at Komplek Balai Pemuda, Surabaya, East Java, Indonesia

Hand-drawn batik installation primisima on grade A fabric 10 m x 150 cm (2 pcs) + 9 pcs of custom tunnel tubes (variable dimension) + 3 mins 4K video performance· 2025

Between Traditions: In the circle of life and Death.

A journey of life-cycle as a creature who connected to the Javanese ancestral paths through re-imagination and re-creation into the theatrical memories from the past as a lesson of our lives today and the future.

Curated by: Dr. Laetitia Wilson and Jude van Der Merwe (Instagram @jude_vandermerwe)

Venue: Holmes á Court Gallery, Perth WA, Australia (Instagram @gallery.hac)

Medium and Materials

21 pcs body works on custom cutting silk cotton fabric and custom resin heads hangers.

10 pcs hand-drawn batik with batik wax and remasol dyes on prima fabric (4m x 30cm).

100 meters x 110cm drawing batik with remasol dyes on silk cotton fabric.

Collection by Mr. Konfir Kabo, Melbourne, VIC, Australia

Relentlines: Through the window of the past

ARTSPACE Mackay, Queensland, Australia, 2024

Prabu employs the technique of traditional batik tulis to create large-scale hand dyed textile works as a vessel for storytelling and connecting with his ancestry. His animated designs are informed by Indonesian folklore and legends, represented through drawings of hybrid figures, mythological beings and contemporary refiguring of traditional Indonesian motifs and symbols.

"Mangaranto" In Time All Are Together,

Crary Art Gallery, Warren, PA, USA, 2023

Love beyond traditions-drawing batik with wax and synthetic dyes, textile paint, charcoal on primis grade A fabric-200cm x 110cm (2pcs)

MANGARANTO In Time All Are together The story of migrating traditions from the Batak (Toba) tribe people. Reaching their dreams and hope to be a better person/family in their new place (Province, Island, region). Then, as diaspora, they will collided with other tribes, culture and variety of thing. Finally, they got their minds into a culmination of harmony and peace.

FLOWING LIFELINES

Broken Hill City Art Gallery, NSW, Australia. 2022

Reconnecting the memories from the spice trades based on the historical sites between

Indonesia (Bugis- Makassar tribes) and Australia (Yolngu Aboriginal, Northern Territory)

drawing batik with synthetic dyes on fabric

(Private Collection)

Indonesia has a long relationship with Australia from a historical, social, economic and cultural exchange perspective. One of the histories that I read which even before the Australian continent was discovered by James Cook in 1770, Indonesian Makassar sailors had long sailed to the continent to trade with Aboriginal tribes (70 years earlier). On the other hand, Broken Hill is also an area that is a critical part of the arrival of Muslim traders from various countries such as Afghanistan, Egypt, Turkey and Pakistan. These traders with camels as their mounts had contributed greatly to the running of the Australian economy at that time. This is what makes me want to be part of the history of kinship that can be produced through works of art. My idea is combining the past stories to the present called “The reminiscent lines”. What was happened before can actually happening again today with different people and time. What was going on in Broken Hill in few decades before it can be lift up again today and how it’s really impact to us as a person who lived in this time.

The works that I have created are a combination of drawings with hand-written batik, which is the original culture from Java in Indonesia. I called it as “drawing batik” which I continued to develop and process day by day. It also have brought me got a golden opportunity to be able to made my solo exhibition at 16Albermarle Project Space, Sydney and an arts residency at ATW (Australian Tapestry Workshop) Melbourne from last February to March 2020. My artworks have a lot to do with historical stories, narrative, folklore, urban legend and satire. The strength of the lines of the batik that I created is a way for me into the doors of history of the past and its correlation with what is actually happening today. This is very important, considering that we can provide knowledge for the nation's successors, students, and local residents to get to know the history of their own region through my contemporary drawing batik artwork.

I will also make a batik tulis (hand-drawn batik) workshop that can be taught to children, students and the local community. Hand-drawn batik is a traditional art that has survived to this day and it would be great if we took part in preserving it together and teaching it to anyone. The theme for the workshop was "Re-reading Broken Hill through simple hand-drawn batik". We can create Broken Hill landscapes, plants, animals and so on. This will reinforce the history or other forms of Broken Hill through hand-drawn batik art.

The number of works that I will exhibit is around 15 drawing batik on silk cotton, satin, polyester cotton and silk. The sizes I usually use for these fabrics range from 100 cm to 300 cm. The display of batik drawings is easy to hang but perhaps the challenge requires for the high sealing. However, this can still be overcome by shortening the size of the work. Another work that I brought was drawing murals that I could do there. The theme of this mural work is about the relationship between ourselves and the city where we were born and then can have a big impact globally.

Even I am not from Broken Hill, I just feels like this place have lots of story with humble local community, sightseeing views and I want to be part of it with my drawing batik artworks.